But if you take a closer look, and pay just a little more attention, it becomes clear that the swings Assassin’s Creed Liberation takes are far more interesting than just about anything else an Assassin’s Creed has done to date. In the eyes of many, Liberation falls short of the big-budget experience expected of one of the biggest gaming franchises in the world. Small-sized open environments, rather than the giant, anxiety-inducing giant playgrounds that take hundreds of hours to cover, allow for a level of intimacy and recognition all but impossible to imagine for the likes of the most recent entries like Origins, Odysseyor Valhalla. Ten years later, playing through Liberation’s bite-sized missions, designed for quick handheld play sessions, feels like a breath of fresh air for the series. These are two things the main games – with their increasingly bloated, endless worlds and female optional-at-best central characters, still have not matched to this day. As a benefit of being developed as a smaller-scale side project for Ubisoft teams in Sofia and Milan, it was somehow allowed to stray from the formula already firmly cemented in the mainline games.įor one, the protagonist is a woman – a revelation in itself – and she leads the charge through a concise 8-hour campaign. Released on the ill-fated Playstation Vita in 2012, before being ported to PC in 2014 and rebranded as downloadable content (DLC) for Assassins Creed III, Liberation sits at odds with the franchise as a whole. It’s an Assassins Creed almost lost to time itself: Assassin’s Creed Liberation.
A game that bucked series trends in several ways, weaving a tale that has become more perceptive of the times since, and one that has just as much to say mechanically as it does narratively. The 30th of October 2022 marked a decade of one of the most interesting Assassin’s Creed games to date.
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